”THE WORLD IS NOT ENOUGH” (1999) Review
I must admit that when I first saw THE WORLD IS NOT ENOUGH in the theaters a little over seven years ago, I was not impressed. Well, to be honest, I did not like the movie at all. But after my recent viewing, I could not help but wonder if I had allowed my mild dislike of the previous Bond entry, TOMORROW NEVER DIES to spill over in my view of the Bond franchise’s 19th entry.
Although the movie’s title comes from the Bond family’s motto, first revealed in the 1969 movie, ON HER MAJESTY’S SECRET SERVICE, its story started with the murder of a British oil tycoon and old friend of M’s named Sir Robert King, inside MI-6’s London headquarters. Bond traced the assassination to an anarchist terrorist named Renard, who had once kidnapped Sir Robert’s daughter, Elektra King. Fearing that Renard wants revenge for his failure at profiting from Elektra’s kidnapping, M assigned Bond to act as her new bodyguard in Uzbekistan. To make a long story short, Bond and Elektra formed a romantic relationship . . . before he learned that she had been behind her father’s murder and MI-6’s humiliation. Elektra was also behind Renard’s theft of a quantity of weapons-grade plutonium from a former Russian ICBM base in Kazakhstan. After using some of the plutonium to blow up part of the King pipeline in order to avoid suspicion, Elektra and Renard planned to introduce the remaining plutonium to a stolen Russian submarine's nuclear reactor in order that it will overload and cause a nuclear meltdown in the Bosporus at Istanbul. Not only will this kill countless thousands of people, but also contaminate the Bosporus for decades. The effect would prevent shipment of Caspian Sea petroleum through any existing route, because all Caspian region pipelines terminate at the Black Sea, requiring that tankers go through the Bosporus; the only alternative would be the King pipeline. Disguising himself as a nuclear physicist, Bond sneaked his way onto the base to stop Renard and ended up escaping from near death, along with an American nuclear physicist named Christmas Jones, played by Denise Richards. Even worse, Elektra lured M to Uzbekistan and kidnapped the latter to be destroyed with the rest of Istanbul’s citizens. With the help of Dr. Jones and former KGB-turned-entrepreneur Valentin Zukovsky, Bond managed to save the Bosporus region and M and kill both Elektra and Renard in the process.
In 1998, Pierce Brosnan won a Saturn Award for his performance as Bond in TOMORROW NEVER DIES. But after seeing his performance in THE WORLD IS NOT ENOUGH, I have come to the conclusion that he had won his award for the wrong movie. Unlike TND, in which Brosnan’s performance seemed mixed, TWINE’s script allowed the Irish-born actor to portray a more human Bond, who finds his façade almost stripped away and his emotions exposed by his interactions with the manipulative Elektra King – a process that seemed to have began with the death of Elektra’s father at MI-6 Headquarters. One of Brosnan’s best acting moments occurred during a scene at Zukovsky’s casino, where Elektra “unnecessarily” loses a million dollars to the former KGB operative. Brosnan managed to convey Bond’s concern, confusion and sparking suspicion about the late oil magnate’s daughter, all in one swoop. Great acting on his part.
Fortunately for Brosnan, he was supported by a strong cast – especially by Sophie Marceau, who portrayed the enigmatic Elekra and Robert Caryle as the ruthless yet passionate terrorist, Renard. Marceau was especially impressive as the former kidnap victim-turned-villainess, whose complex and manipulative personality seemed to have kept everyone – Bond included – in a state of flux. Carlyle came off as surprisingly sympathetic as the love-struck Renard. Most Bond fans would flinch at the idea of a Bond villain like Renard, but after the stream of cold-blooded opportunists and megalomaniacs, Renard almost came as a relief. Unfortunately, all not were wine and roses in Marceau and Carlyle’s performances. Carlyle’s repeated line about how Bond or anyone else ”cannot kill him because he was already dead” threatened to turn his role into a cliché. Personally, I never could care less about his injury. If he could still die from a bullet in the heart, he was not impregnable, as far as I was concerned. As for Marceau, it saddened me that her exemplary performance ended on such a bad note for me. If Connery’s Bond in GOLDFINGER had struck me as the ”dark side of masculinity”, then Elektra King’s insistence that Bond or no other man can resist her struck me as the ”dark side of femininity”. To be frank, the villainous Elektra in her last moments got . . . on . . . my . . . last . . . nerve. So much so that I found myself sighing with relief when Bond finally killed her.
And then there was Denise Richards as the American nuclear physicist, Dr. Christmas Jones. I realize that I might be castigated for saying this, but I honestly found nothing to criticize about Richards’ performance. I will not insult anyone’s intelligence by stating that she was just as good as Marceau and Caryle. Of course she was not as good. At best, Richards is a competent, though uninspiring actress. But she did portrayed Dr. Jones (no Indy jokes, please) as an intelligent and observant woman. She handled the techno babble quite well. Nor did she seem slightly wooden like Lois Chiles in MOONRAKER and Barbara Bach in THE SPY WHO LOVED ME. I think that many fans and critics had simply took a look at Richard’s face, age (she was 26 or 27 when she shot the movie) and boobs and decided that she was unfit to portray a young nuclear physicist. It was nice to see Robbie Coltrane as the former KGB agent, Valentin Zukovsky, again. Although he was just as funny as he was in GOLDENEYE, I must admit that he seemed a bit more imposing in the 1995 film. In TWINE, there were times he seemed to be in danger of being viewed as a bit of a joke . . . until his final scene.
Judi Dench gave her second best performance as M (her first would be seven years later in CASINO ROYALE) in TWINE. In this particular outing, she becomes emotionally handicapped by the death of her friend, Sir Robert. This allows Elektra to take advantage of the MI-6 chief - who had advised Sir Robert not to pay the ransom for Elektra’s kidnapping – and seek revenge. One of the highlights of Dench’s performance was watching her express . . . and suppress M’s guilt, when Bond exposes the debacle over Elektra’s kidnapping. Other cast members such as Michael Kitchen, Colin Salmon and Samantha Bond do their usual routine. THE WORLD IS NOT ENOUGH marked Desmond Llewellyn’s last appearance as MI-6’s armourer – Q and John Cleese’s first appearance as his future replacement. Although the sight of Llewellyn in the movie tugged the heartstrings a bit (considering his death in a traffic accident about a month following the movie’s original release), I cannot say there was anything memorable about his performance. Cleese, on the other hand, was his usual biting self, although I could have done without his clumsy antics.
THE WORLD IS NOT ENOUGH not only boasted pretty good acting by the cast, it also possessed an interesting script that maintained its quality . . . until the finale. The story started out fine with Sir Robert King’s mysterious murder, followed by the increasingly complex triangle established between Bond, Elektra and Renard. But once Renard had sabotaged one of the King pipelines and Elektra kidnapped M, the movie sank into a typical Bond movie that ended with a wet and tiresome showdown between Bond and Renard inside the stolen Russian sub. Aside from its cast, one of TWINE’s strengths were the movie’s dramatic scenes – including Bond’s accusations regarding M’s participation in Elektra’s kidnapping, Elektra’s loss at the gaming table, Christmas’ exposure of Bond at the ICMG base, Bond accusing Elektra of being Renard’s ally and Renard’s jealousy over Elektra’s relationship with Bond. Ironically, I cannot say the same about the movie’s action sequences. One or two were pretty good – the opening sequence (which I admit seemed a bit too long), and Bond and Christmas’ escape from the ICMG base, and their escape from one of the King pipelines. But the ski chase, the confrontation at Zukovsky’s caviar facility and Bond’s showdowns with both Elektra and Renard simply did not move me. And the finale inside the Russian sub simply struck me as tedious.
If there is one major weakness that THE WORLD IS NOT ENOUGH did suffer, it was the movie’s locations. Quite simply, they were uninspiring. It seemed sad that the movie’s most exotic looking location happened to be London, along the Thames River. It seemed even sadder that this took place in the movie’s pre-title sequence. As for the movie’s theme song by Garbage . . . well, it was not the best Bond song I have ever heard. In fact, I did not even like it when the movie was first released. But for some odd reason, the song has grown on me, and now it is a personal favorite of mine.
But despite uninspiring locations and action sequences, THE WORLD IS NOT ENOUGH can still boast enough strengths that allowed director Michael Apted to provide a pretty good Bond movie . . . good enough to be considered Brosnan’s second-best. And a recent viewing has allowed me to realize that it was better than I had originally surmised.
“One tires of being executed.” – Renard
Zukovsky: I'm looking for a submarine. It's big and black, and the driver is a very good friend of mine. [sees captain hat] Bring it to me!
Elektra: [takes hat] What a shame, he's just gone. [Shoots Zukovsky]
Lachaise: So good of you to come see me, Mr Bond, particularly on such short notice.
Bond: If you can't trust a Swiss banker, then what's the world come to?
[Bull is shocked to see Zukovsky survived the explosion at the safehouse]
Bull: Boss? You're alive! I'm so glad to see you!
Zukovsky: Me to! [Shoots Bull]
Christmas: The world's greatest terrorist running around with six kilos of weapons-grade plutonium can't be good. I gotta get it back, or someone's gonna have my ass.
Bond: First things first.
Bond: What's your business with Elektra King?
Zukovsky: I though you were the one giving her the business.
Elektra: I could have given you the world.
Bond: The world is not enough.
Elektra: Foolish sentiment.
Bond: Family motto.
[after Q introduces Bond to his successor]
Bond: If you're Q, does that make him R?
R: Ah yes, the legendary 007 wit, or at least half of it.
Christmas: Wait a minute. Are you going to do what I think you're going to do?
Bond: What do I need to defuse a nuclear bomb?
Bond: Construction isn't exactly my speciality.
M: Quite the opposite, in fact.
“You wanna put that in English for those of us who don't speak Spy?” – Christmas Jones
“Oh, look. We have no roof, but at least we have four good walls.”
[the factory falls apart] “The insurance company is NEVER going to believe this.” – Zukovsky
Bond: I've always wanted to have Christmas in Turkey.
Christmas: Was that a Christmas joke?
Bond: From me? Never.
“Can't you just say "hello" like a normal person?” - Zukovsky
Zukovsky: [to Bull] You! Where have you been, you gold encrusted buffoon?
Bull: Sorry, boss, I must have bumped my head.
Zukovsky: Oh, really? Get me out of here. I'll show you what a bumped head feels like.
Q: I've always tried to teach you two things. First, never let them see you bleed.
Bond: And the second?
Q: Always have an escape plan.
“Revenge is not hard to fathom for a man who believes in nothing.” – Bond
Bond: What business do you have with Elektra King?
Zukovsky: I thought it was *you* who was giving her the business.
Moneypenny: James! Have you brought me a souvenir from your trip? Chocolates? An engagement ring?
Bond: I thought you might enjoy one of these. [gives Ms. Moneypenny a cigar tube]
Moneypenny: How romantic. I know exactly where to put that. [throws the cigar tube in the garbage]
Bond: Oh Moneypenny, the story of our relationship: close, but no cigar.
[Zukovsky enters his office, sees Christmas Jones] “How did you get in here? I'm going to call Security... and congratulate them.” – Zukovsky
Bond: ...A shadow operation?
M: ...Remember 007, shadows always remain in front or behind... never on top.
Bond: Where's M?
Elektra: Soon she'll be everywhere.