Wednesday, March 20, 2019
Below is a list of my top five favorite episodes from Season Three (1984-1985) of NBC's "REMINGTON STEELE". Created by Robert Butler and Michael Gleason, the series starred Stephanie Zimbalist, Pierce Brosnan and Doris Roberts:
"REMINGTON STEELE": TOP FIVE FAVORITE SEASON THREE (1984-1985) EPISODES
1. (3.09) "Cast in Steele" - Three actors from Hollywood's golden age call upon the Remington Steele Agency to discover the who is responsible for threatening notes and attacks. Lloyd Nolan, Dorothy Lamour, Virginia Mayo and Michael Constantine guest starred.
2. (3.16) "Steele in the Family" - The nephew of the agency's office assistant, Mildred Krebs, asks Remington Steele to help him hide the body of one of his clients from his prostitution ring, the CEO of a company in which he had invested, and find the killer. Jack Bannon, Albert Macklin and Nancy Everhard guest-starred.
3. (3.20) "Steele in the Chips" - Three different people hire Steele and the agency's owner, Laura Holt, to find the missing creator and the prototypes of a no calorie chocolate chip cookie. Geena Davis, Jean Smart and G.W. Bailey guest-starred.
4. (3.17) "Diced Steele" - An insurance company investigator digs into Steele's past after the agency loses their money to a thief, in an effort to buy back stolen jewels. James Tolkan, Murphy Dunne and Alan Feinstein guest-starred.
5. (3.03) "Maltese Steele" - During a trip to Malta, Laura and Steele are lured into the search for a missing corpse and find an insignificant piece of brass that could get them killed.
Honorable Mention: (3.06) "Steele Your Heart Away" - Laura flies off to help an amnesiac Steele recall why he came to Ireland and why someone is trying to kill him.
Tuesday, March 19, 2019
Below are images from "THE LAST TYCOON", Amazon Studios' 2016-2017 loose adaptation of F. Scott Fitzgerald's 1941 unfinished novel that was published posthumously. Developed by Billy Ray, the limited series starred Matt Bomer as Monroe Stahr:
"THE LAST TYCOON" (2016-2017) Photo Gallery
Sunday, March 17, 2019
Years ago, I had first seen the crime thriller directed by David Cronenberg called, ”A HISTORY OF VIOLENCE”. Viggo Mortensen had starred in the movie, portraying a happily-married café owner, whose Good Samaritan actions against two thugs led to his disclosure as a former mob enforcer. Both Cronenberg and Mortensen reunited to collaborate on another crime thriller called, ”EASTERN PROMISES”.
Based upon a screenplay written by Steve Knight, ”EASTERN PROMISES” began with a gangland murder and the death of a 14 year-old Russian-born prostitute while giving birth to an infant girl. The two incidents would resonate over the lives of a London hospital midwife of Russian descent named Anna Khitrova (Naomi Watts), a Russian mob boss and restaurant owner named Semyon (Armin Mueller-Stahl), his wastrel son Krill (Vincent Cassel) and the mob boss’ enigmatic chauffeur, Nikolai Luzhin (Mortensen).
The plot is a little too complex for me to explain in this review. Needless to say that it centered around the mob boss’ attempt to recover the dead prostitute’s diary, which found itself in the hands of the hospital midwife. However, I would suggest that one see the movie. No one will be disappointed. I know I found it very interesting. Yes, it has violence, but not as much that was found in ”A HISTORY OF VIOLENCE”. But the amount of blood shown in the film – especially in the gangland slaying and the prostitute’s death – seemed to like a metaphor of the story’s theme . . . and the connection between the major characters.
On the surface, ”EASTERN PROMISES” seemed like a typical crime thriller centered around a Russian crime family in London. But the plot – like three of the major characters – turned out to be something quite different than what appears to be on the surface. What seemed like a gang war, turned out to be a lurid family secret that brings down the Russian mobster. As I had earlier pointed out, this theme is also apparent in three of the four major characters:
*Krill –who seemed like a crude and murderous monster on the surface and proves to be more benign
*Semyon – a talented cook and mob boss, whose grandfatherly demeanor hides a darker and more ruthless personality
*Nikolai – the enigmatic chauffeur, whose practical and cynical nature makes him unsuited to merely be the family’s driver. As in the case of Semyon and Krill, he turns out to be someone very different.
And it is through the eyes of the London midwife, Anna that the audience becomes acquainted with the exotic (at least in American and British eyes) world of Russian émigrés mingled with the violence and degeneracy of the Vory v Zakone (Russian Mafia). Thanks to Cronenberg’s direction, the world of the Vory v Zakone seemed so exotic and something never seen before. In fact, it seemed so insular that the usual British atmosphere of London almost seemed miles away, despite the presence of Scotland Yard. One sequence that came to mind is the hand-to-hand fight between Nikolai and two Chechen assassins seeking revenge for the gangland murder in the movie’s opening scene. The sight of a nude Mortensen viciously defending his life against two burly assassins inside a London bathhouse is one that I will never forget. And I suspect that it will become an unforgettable in the minds of moviegoers for years to come.
I was also impressed by the performances in the movie. Despite having the least interesting character, Watts managed – with her usual competency – infused pathos and spirit in the London midwife. And Mueller-Stahl did an excellent job of portraying a brutal and ruthless man who manages to hide these traits under a veneer of warmth and civility. But I feel that Cassel deserves an Oscar nod for his portrayal of the pathetic Krill, who tries to hide his weaknesses (or what he conceives as weakness) with crude and extroverted persona.
Finally, there is Viggo Mortensen, whose portrayal of the enigmatic Nikolai might finally allow the critics to truly appreciate his skills as an actor. Instead of using words or openly expressed emotions, Mortensen manages to reveal his character to the audience through subtle words (in a Russian accent that surprisingly works), body language, costume and especially in his eyes. What makes Mortensen so remarkable as a film actor is that he has no need for big speeches (which he had attempted in ”LORD OF THE RINGS: RETURN OF THE KING”) or outbursts of emotions to convey to express his characters’ personalities. This certainly seemed true in the scene in which Nikolai has sex with one of the prostitutes, in the whorehouse owned by Krill’s father. Nikolai does not simply have sex with the woman. He IS FORCED to do so . . . on the orders of Krill, who wants Nikolai to prove that he is not a homosexual. The audience was well aware that the prostitute felt violated and exploited. But Mortensen managed to convey through his eyes that Nikolai also felt violated, exploited . . . and disgusted at Krill’s desire to watch him have sex with the prostitute. Good performance by Mortensen.
What else can I say about ”EASTERN PROMISES”? It was not the best movie I had seen from 2007. But I feel that it is a fascinating and emotionally complex story that seems different from the usual crime thriller. Unlike ”A HISTORY OF VIOLENCE”, it is not capped by a violence sequence that gives us the last word on the protagonist’s fate. Yet, all the same, I found it very tense and emotional.